Solution for Senior Over-Population
(Please note this is a much
abbreviated version of an article I had written about this film which may be better. I’m relying heavily on extracted quotes from
the Producer’s email to me in the interest of publishing tonight. My much more original content escaped into the digital
netherworld during a transfer process to publishing.)
Life after death is a familiar topic often discussed from
the view of religion, esotericism, and metaphysics. Science Fiction often recounts stories of
life and afterlife in other dimensions.
A film I recently viewed
suggested the possibility of life continuance in a digital world.
“Life Begins At Rewirement,” written and directed by Trevin
Matcek, is a short film recently premiered at the NYC Tribeca Film
Festival. You may view this film by clicking on the
title (24+ mins. - a several sec.
promo precedes.) Public Broadcasting (PBS) is airing the film
on many of their stations Futurestates series now in its third season.
“Elder care in the future and the challenges of taking your loved one
into a revolutionary retirement home” is the film focus. Our goal was to engage and entertain while
presenting a thoughtful portrait of one very difficult day for a family."
“Set
in the near future, LIFE BEGINS AT REWIREMENT follows a man named Simon Ender
on the day he checks his 100-year-old mother, Jessica, into a revolutionary
senior care center. The strained relationship of mother and son is put to the
test as Jessica transitions from her aging body and declining mental state to a
data bank with infinite access to all of her memories. Simon comes face-to-face
with feelings of guilt, insecurity and ultimately love, as he decides on his
mother’s welfare and what is best for her.”
Related by the film’s
Producer, An Tran.
Writer/director Matcek was inspired to create this science
fiction film as he considered his own aging parents and health care’s
future. His hope is to stimulate conversation on some
of these issues frequently not discussed in mainstream media.
I found the film to be entertaining, thought-provoking and
disturbing pending some unanswered questions deliberately left to each viewers
interpretation. Also, the mother’s
dementia is actually Alzheimer’s according to the director in a post viewing
chat room conversation in which I participated.
This difference did somewhat alter some of my perceptions and
reactions. All Alzheimer’s patients develop
dementia, but not all dementia patients have Alzheimer’s. My view of her
communication skills and prognosis allowed for a different perspective.
Depending on how I viewed aspects of the ending my
attitude toward the choice made by the son could be accepting or, possibly strongly rejecting.
So the questions follow, including:
I want to clarify that "Senior Over-Population" is a term not used within the film itself. "Over-Population" does appear on a screen in part of a welcoming to the retirement community introductory message the Mother receives while waiting for her son to return to her side. There is accompanying brief comment about the burgeoning number of centenarians like her. "Senior" added to it I encountered elsewhere, which I've learned may be attributed to others than the film's writer/director. .
Is this “eternal life” option a choice you would select
for yourself or a loved one?
What do you think of the language “senior over-population?”
Exactly what sort of “life” is this and is it preferable
to a nursing home?
What exactly are we proposing here as a way to resolve
out-of-control health care costs?
The essence of the elder or senior "lives" on as ......
UP DATE 5/23/12
I want to clarify that "Senior Over-Population" is a term not used within the film itself. "Over-Population" does appear on a screen in part of a welcoming to the retirement community introductory message the Mother receives while waiting for her son to return to her side. There is accompanying brief comment about the burgeoning number of centenarians like her. "Senior" added to it I encountered elsewhere, which I've learned may be attributed to others than the film's writer/director. .